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100. 学内刊行物 (紀要、研究報告) >
101-3. 奈良教育大学紀要 (人文・社会科学, 自然科学) >
第65巻 第1号 人文・社会科学 (2016) >

このアイテムの引用には次の識別子を使用してください: http://hdl.handle.net/10105/11037

タイトル: メトネル作曲ピアノソナタの演奏法研究─エドナ・アイルズ編「メトネルのピアノ奏法」からの検討─
その他のタイトル: Study on Piano Performance Methods of Piano Sonatas Composed by Nikolai Medtner:Analysis of Edna Iles’ Piano Playing Nicolai Medtner Taught Me
著者: 前田, 則子
水谷, 礼佳
キーワード: メトネル
Medtner
ピアノソナタ
Piano Sonatas
ピアノ演奏法
Piano Performance methods
エドナ・アイルズ
Edna Iles
ETYP:教育関連論
発行日: 2016年11月30日
出版者: 奈良教育大学
収録雑誌名: 奈良教育大学紀要. 人文・社会科学
巻: 65
号: 1
開始ページ: 85
終了ページ: 94
ISSN: 05472393
収録種別: 紀要論文
抄録: Although the piano works of Nicolai Karlovich Medtner (1880-1951), a Russian composer and virtuoso pianist, have been reevaluated over the past few decades, little attention has been given to an interaction between his works and his practical technics of piano performance methods. However he was one of the outstanding pianist in his time and played his own works. In this respect, his pianism may have an important influence on his composition.The purpose of this paper is to explore a little further into the original character of Medtner's piano sonatas by analyzing the Piano Playing Nicolai Medtner Taught Me edited by Edna Iles (1906-2003) who was his close friend and protégée. We examine this material to reconsider Medtner's pianism under the following two heads: (1) his basic methods of shaping a hand and (2) his technics to play functional harmony. Especially, the latter helped a player to play various complicated motifs clearly in the concert. A close look at the piano performance method will reveal that Medtner could develop his own extremely complicated and exquisite style, which is not simply categorized as the late-romanticism in general, based on his practical piano performance methods.
言語: jpn
URI: http://hdl.handle.net/10105/11037
出現コレクション:第65巻 第1号 人文・社会科学 (2016)

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